Alaska Native Ways of Knowing and the Sustenance of Musical Communities in an Ailing Petrostate

Susan Hurley-Glowa
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引用次数: 2

Abstract

Alaskans are experiencing rapid economic, cultural, and ecological change as a result of declining oil revenue and anthropogenic climate change. This chapter compares the relative resilience of the Fairbanks Festival of Native Arts, an annual indigenous arts celebration, and the Fairbanks Symphony Orchestra, a Western art music ensemble housed at the University of Alaska Fairbanks. The Festival of Native Arts has thrived since the 1970s by sustaining Alaska Native traditions while embracing new performance ideas, a resilience strategy with deep cultural roots based in indigenous knowledge. In contrast, the Western art music ensemble's high level of specialization, cost, declining audience, and colonial legacy call its future into question, particularly when viewed from the perspective of cultural equity and the distribution of limited resources.
阿拉斯加州本土的认识方式和音乐社区在一个生病的石油国家的维持
由于石油收入下降和人为气候变化,阿拉斯加正在经历快速的经济、文化和生态变化。本章比较了费尔班克斯土著艺术节(一年一度的土著艺术庆典)和费尔班克斯交响乐团(位于阿拉斯加费尔班克斯大学的西方艺术乐团)的相对弹性。自20世纪70年代以来,土著艺术节一直在保持阿拉斯加土著传统的同时接受新的表演理念,这是一种基于土著知识的深刻文化根源的弹性策略。相比之下,西方艺术乐团的高水平专业化、成本、不断下降的听众和殖民遗产使其未来受到质疑,特别是从文化公平和有限资源分配的角度来看。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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