SATIRE IN "BOBURNOMA" AND "TARIHI RASHIDIY"

Elmira Hazratkulova
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Abstract

This article analyzes the attitude of Zahiriddin Muhammad Babur and Haydar Mirza to comedy, the humorous mood of the work. Bobur's artistic skills are studied in comparison with his literary views on comedy. The common and individual aspects of the literary style of Haydar Mirza and Babur are explored. The main sources for the analysis of the literary thinking of the writers are "Boburnoma" and "Tarihi Rashidi". These works are based on observations about the role of humor and satire in other fields. Bobur and Haydar's attitude to satire is comparable. This article uses biographical as well as comparative analysis of methods. Observations suggest that humor played an important role in determining Bobur's literary potential. In Haydar Mirzo's "Tarihi Rashidi" the attitude to humor and satire is limited. In the style of Haydar Mirzo, it was found that the author followed the principle of impartiality, which is characteristic of historians, and kept the tradition in the literary style.
讽刺《BOBURNOMA》和《TARIHI RASHIDIY》
本文分析了扎希里丁·穆罕默德·巴布尔和海达尔·米尔扎对喜剧的态度,以及作品的幽默情绪。本文将伯尔的艺术技巧与他对喜剧的文学观点进行比较研究。探讨了海达尔·米尔扎和巴布尔文学风格的共性和个性。分析作家文学思想的主要资料来源是《博布诺玛》和《塔里希·拉希迪》。这些作品是基于对幽默和讽刺在其他领域的作用的观察。Bobur和海达尔对讽刺的态度是相似的。本文采用了传记性分析和比较分析相结合的方法。观察表明,幽默在决定Bobur的文学潜力方面发挥了重要作用。在海达尔·米佐的《塔里希·拉什迪》中,对幽默和讽刺的态度是有限的。在海达尔·米尔佐的文体中,我们发现作者遵循了历史学家所特有的不偏不倚的原则,并在文体上保持了传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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