AN UNTHINKABLE PLOT?

A. G. Sepinwall
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Abstract

This chapter treats the small number of feature films from the U.S., France and elsewhere in Europe related to the Haitian Revolution. They include Emperor Jones (1933), Burn! (1969; also called Quiemada), and Toussaint Louverture (2012). The chapter draws on Michel-Rolph Trouillot’s ideas about the Haitian Revolution’s being “unthinkable” to non-Haitians; it explains how the Revolution’s significance has often been minimized even when it is shown on screen. The chapter examines how these films, to different degrees, distort the history of the Revolution, thereby illustrating defects in how slavery is remembered in the U.S., France, and elsewhere. The chapter notes that the weaknesses of these films are especially unfortunate, given funding structures that enable U.S. and European directors to make films about the Revolution more easily than can Haitians themselves.
一个不可思议的阴谋?
本章讨论了来自美国、法国和欧洲其他国家与海地革命有关的一小部分故事片。其中包括《琼斯皇帝》(1933)、《燃烧!》(1969);也被称为Quiemada),以及杜桑·卢维杜尔(2012)。这一章借鉴了米歇尔-罗尔夫·特鲁洛特(Michel-Rolph Trouillot)关于海地革命对非海地人来说是“不可想象”的观点;它解释了革命的重要性是如何经常被最小化的,即使它被显示在屏幕上。本章探讨了这些电影如何在不同程度上扭曲了独立战争的历史,从而说明了美国、法国和其他地方对奴隶制的记忆中存在的缺陷。这一章指出,鉴于资金结构使得美国和欧洲导演比海地人更容易制作关于革命的电影,这些电影的弱点尤其令人遗憾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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