The Challenges of Teaching Visual Arts: The Case of Moroccan Higher Education

Mohssine Nachit
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Abstract

Visual studies are imparted as majors in many western institutions. This concern with visual culture stems from the vital role of images in communication and how they shape the mindset of the global citizen. Moroccan academia has recently introduced such discipline in some departments in order to modernize the curricula and enhance a liberal education. However, socialization and the dominant local culture favor a more conservative perception of images. The paper explores how these converging narratives operate and how students react to some modern values such as body politics, freedom of expression, subjectivity, etc. The last concern of this study is to analyze to what extent images interrogate and disrupt traditional norms and perceptions and contribute in developing students’ critical thinking, visual literacy, modernist perspectives, intercultural communication and mindfulness. The paper is a mixture of qualitative and quantitative research methods. It is first grounded in the postmodern theoretical framework, but it is also based on a four year teaching visual arts experience, classroom observation, and questionnaires. The ultimate aim of this paper is to share some findings with other practitioners, to address the impediments and challenges of university education and to contribute in designing modern curricula that smoothly prepare the students to embrace multicultural values.
视觉艺术教学的挑战:以摩洛哥高等教育为例
视觉研究在许多西方院校都是作为专业开设的。这种对视觉文化的关注源于图像在传播中的重要作用,以及它们如何塑造全球公民的心态。摩洛哥学术界最近在一些院系引进了这种学科,以便使课程现代化并加强自由教育。然而,社会化和占主导地位的当地文化倾向于更保守的图像感知。本文探讨了这些趋同的叙事是如何运作的,以及学生如何应对一些现代价值观,如身体政治、言论自由、主体性等。本研究的最后一个关注点是分析图像在多大程度上质疑和破坏传统规范和观念,并有助于培养学生的批判性思维,视觉素养,现代主义观点,跨文化交流和正念。这篇论文是定性和定量研究方法的结合。它首先以后现代理论框架为基础,但它也基于四年的视觉艺术教学经验,课堂观察和问卷调查。本文的最终目的是与其他实践者分享一些发现,解决大学教育的障碍和挑战,并为设计现代课程做出贡献,使学生顺利地接受多元文化价值观。
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