{"title":"A comparative Study of the British and Spanish Nineteenth-Century Reception of Felicia Hemans","authors":"María Eugenia Perojo Arronte","doi":"10.17979/arief.2023.8.1.8979","DOIUrl":null,"url":null,"abstract":"The popularity enjoyed by Felicia Hemans (1783–1835) in nineteenth-century Britain was determined by the progressive feminization of her literary work and a critical discourse marked by gender bias which together constructed an image of the author as a model of womanhood. While the reception of her male peers within the Spanish literary system has been widely discussed, Hemans’s has been totally neglected. Through a comparative analysis of both receptions, this essay throws light on the singular process through which the encounter with a freshly discovered literary tradition facilitated the unprejudiced inclusion of a female poet in the English Parnassus created by nineteenth-century Spanish authors and critics.","PeriodicalId":174921,"journal":{"name":"Atlánticas. Revista Internacional de Estudios Feministas","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Atlánticas. Revista Internacional de Estudios Feministas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17979/arief.2023.8.1.8979","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The popularity enjoyed by Felicia Hemans (1783–1835) in nineteenth-century Britain was determined by the progressive feminization of her literary work and a critical discourse marked by gender bias which together constructed an image of the author as a model of womanhood. While the reception of her male peers within the Spanish literary system has been widely discussed, Hemans’s has been totally neglected. Through a comparative analysis of both receptions, this essay throws light on the singular process through which the encounter with a freshly discovered literary tradition facilitated the unprejudiced inclusion of a female poet in the English Parnassus created by nineteenth-century Spanish authors and critics.