Creative Advertisements for the Cinderella Medium: The Case of Flanders, Belgium

Sara Spoelders, R. Claes
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Abstract

In Study 1, 93 judges using the Creative Product Analysis Matrix (CPAM) evaluated the creativity of 120 Flemish radio ads, measuring a poor level of "original" while reaching a satisfying level of "useful" and "expressive." Study 2 used critical literature analysis and content analysis on 30 creative formats. Cluster analysis yielded five groupings that were profiled in terms of creativity, confirming that Flemish radio ads shared similar levels of "useful" and "expressive." Two clusters of creative formats proved successful to reach a higher level for "original." These clusters shared an emotional approach of real-life stories, with "SFX" (sound or special effects) and imagery evoking "theatre of the mind." In addition, the third cluster used "testimonial" and "direct address," whereas the fifth cluster used "jingle," "voice-over," "dialogue," "female voices," and "humor."
灰姑娘的创意广告:比利时法兰德斯的案例
在研究1中,93名评委使用创意产品分析矩阵(CPAM)评估了120个佛兰德广播广告的创意,测量了“原创”的低水平,而达到了“有用”和“表达”的满意水平。研究2采用批判性文献分析和内容分析对30种创意格式。聚类分析得出了创造力方面的五组,证实了佛兰德广播广告在“有用”和“表达”方面有着相似的水平。事实证明,有两组创意格式成功地达到了“原创”的更高水平。这些集群分享了一种真实故事的情感方式,“SFX”(声音或特效)和图像唤起了“心灵剧场”。此外,第三类使用“推荐”和“直接称呼”,而第五类使用“叮当声”、“画外音”、“对话”、“女声”和“幽默”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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