Exiled but not Forgotten: Investigating Commemoration of Musicians in Vienna After 1945 Through Visual Analytics

V. Filipov, Nathalie Soursos, V. Schetinger, Susana Zapke, S. Miksch
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引用次数: 2

Abstract

How is music functionalized to urban symbolic politics in the City of Vienna after 1945 until today? To address this question, we present a novel visualization for interactive analysis of multiple biographical timelines connected to Austrian music history. Instead of simply comparing the biographies of over 200 composers, musicians, and conductors in a linear fashion, we connect them with the urban processes that constituted the topos ‘Music City Vienna’, such as street-naming, awards, anniversaries, and exhibitions. The proposed approach intertwines people, events, and locations, allowing the interactive analysis of multi-modal data. Our main goal is to explore continuities and discontinuities, to find underlying trends and different narratives. Ultimately, this work is intended to stimulate the discussion on the challenges of performing visual analytics of historical data.
流亡但未被遗忘:通过视觉分析研究1945年后维也纳音乐家的纪念活动
从1945年到今天,维也纳的音乐是如何被功能化到城市象征政治的?为了解决这个问题,我们提出了一种新颖的可视化方法,用于与奥地利音乐史相关的多个传记时间线的交互式分析。我们不是简单地以线性方式比较200多位作曲家、音乐家和指挥家的传记,而是将他们与构成“维也纳音乐之城”主题的城市进程联系起来,例如街道命名、奖项、周年纪念和展览。提出的方法将人、事件和地点交织在一起,允许对多模态数据进行交互式分析。我们的主要目标是探索连续性和非连续性,找到潜在的趋势和不同的叙述。最终,这项工作旨在激发对历史数据进行可视化分析的挑战的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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