Variations on Simplicity

Charles S. Campbell
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Abstract

Chapter 7 examines the intricate ways in which Philodemus, Crinagoras, and Antipater of Thessalonica engage with the poetry of Callimachus and Leonidas of Tarentum. The chapter finds that the three epigrammatists of Philip’s Garland use these two Hellenistic predecessors as positive or negative models of poetic values and ethical outlooks, upon which they define their own authorial self-representations as Greek poets operating in the social world of Roman Italy. Using techniques of imitation and variation, these authors blend Callimachean and Leonidean models to distil a poetics and ethics defined by the ideal of simplicity (litotes). As this ideal is thematized by successive generations of epigrammatists, it became a part of the generic tissue of epigram.
简单的变体
第七章考察了菲洛德摩斯、克里纳哥拉斯和帖撒罗尼迦的安提帕特与卡利马库斯和塔伦顿的列奥尼达的诗歌之间错综复杂的关系。本章发现,菲利普的《花环》中的三位警句家将这两位希腊化的前辈作为诗歌价值和道德观的积极或消极典范,并以此为基础,他们定义了自己作为希腊诗人在罗马意大利社会中运作的作者自我表现。这些作者使用模仿和变异的技巧,将卡利马契和列昂尼德的模式混合在一起,提炼出一种由简单理想(litotes)定义的诗学和伦理学。随着这一理想被一代又一代的警句家所主旋律化,它成为警句一般组织的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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