No Expression as Prevalent

T. D. Parry
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Abstract

Chapter 6 revolves around the cultural impact of African American novelist Alex Haley’s Roots: The Saga of an American Family in the late-twentieth century. It specifically examines how the novel and miniseries built upon a pre-existing interest among Black Americans seeking to reconnect with their cultural heritage, though the widescale impact of Haley’s work produced a much more robust examination of slavery’s role in US history among readers and viewers of Roots, and it introduced a method through which descendants of the enslaved might approach that era of history. Ultimately, it argues that Roots’ widespread popularity secured its position in the popular culture of Black Americans and revived a number of discarded customs, including the broomstick wedding. This marital tradition was even highlighted in a controversial plagiarism case made against Haley by the novelist Margaret Walker, whose book Jubilee had also referenced the tradition a decade before. However, alongside Roots immense popularity, popular magazines like Ebony and Jet helped institute a rise in Afrocentric marital practices by the 1980s, and “jumping the broom” started to gain many different meanings and associations as it acquired a larger number of practitioners as Americans entered the 1990s.
没有流行的表达
第六章围绕非裔美国小说家亚历克斯·黑利的《根:一个美国家庭的传奇》在二十世纪后期的文化影响展开。它特别研究了小说和迷你剧是如何建立在美国黑人寻求与他们的文化遗产重新联系的预先存在的兴趣之上的,尽管黑利的作品的广泛影响使读者和《根》的观众对奴隶制在美国历史上的作用进行了更有力的审视,它引入了一种方法,通过这种方法,被奴役的后代可能会接近那个历史时代。最后,它认为《根》的广泛流行确保了它在美国黑人流行文化中的地位,并复兴了一些被抛弃的习俗,包括扫帚婚礼。这种婚姻传统甚至在小说家玛格丽特·沃克(Margaret Walker)针对黑利的有争议的剽窃案中得到了强调,她的书《禧年》(Jubilee)在十年前也提到了这一传统。然而,随着Roots的大受欢迎,像Ebony和Jet这样的流行杂志在20世纪80年代帮助建立了以非洲为中心的婚姻实践,“跳扫帚”开始获得许多不同的含义和联系,因为在美国进入90年代时,它获得了越来越多的实践者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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