{"title":"Sharing outer space","authors":"L. Norris","doi":"10.3828/sfftv.2022.25","DOIUrl":null,"url":null,"abstract":"\nD.C. Fontana’s contributions to the Star Trek franchise test the epistemological consequences of sharing space. Fontana wrote screenplays for various Star Trek series from 1966 until 2006. Her scripts challenge cultural readings of progress driven by absolute individual freedom, which is an obstacle to functional community. The franchise, in idealizing free exploration, tends to celebrate the infinite accumulation of knowledge, but Fontana’s narratives destabilize and limit knowledge instead. She writes stories about cohabitation and symbiotic relationships that enable collaborative futures.","PeriodicalId":276686,"journal":{"name":"Science Fiction Film & Television","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Science Fiction Film & Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/sfftv.2022.25","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
D.C. Fontana’s contributions to the Star Trek franchise test the epistemological consequences of sharing space. Fontana wrote screenplays for various Star Trek series from 1966 until 2006. Her scripts challenge cultural readings of progress driven by absolute individual freedom, which is an obstacle to functional community. The franchise, in idealizing free exploration, tends to celebrate the infinite accumulation of knowledge, but Fontana’s narratives destabilize and limit knowledge instead. She writes stories about cohabitation and symbiotic relationships that enable collaborative futures.
dc Fontana对《星际迷航》系列的贡献检验了共享空间的认识论结果。丰塔纳从1966年到2006年为《星际迷航》系列写剧本。她的剧本挑战了由绝对个人自由驱动的进步文化解读,这是功能性社区的障碍。在将自由探索理想化的过程中,这部电影倾向于颂扬知识的无限积累,但丰塔纳的叙事却破坏了知识的稳定,限制了知识的发展。她写关于同居和共生关系的故事,使合作的未来成为可能。