TWO AUTHORS IN THE CONTEXT OF SOCIALIST-REALISTIC LITERATURE: JOHN STEINBECK AND ORHAN KEMAL

Hasan Yurtbekler
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Abstract

Increasing mechanization since the Industrial Revolution has affected many societies of the world, especially Western societies. Increasing mechanization with the revolution has brought with it migration movements due to economic origin. Increasing migration from rural areas to cities with the dream of a better life has resulted in worse socio-economic results rather than individuals leading a better life. The surplus of workers resulting from the ever-increasing population in the cities has provided the capital owners with the opportunity to employ workers at a lower cost. As a result, working hours increased and wages decreased. Workers are compelled to lead an inhuman life in the cities. Increasing mechanization has begun to show its effect in rural areas as well, with the mechanization in agriculture, the workforce of the villagers has decreased, and their lands have been taken away from them by means of banks and they have been forced to migrate. Some artists could not remain indifferent to these difficult life conditions experienced by the workers, and they dealt with this subject in their works. This situation brought with it a new understanding of literature. This understanding is the "Socialist Realist" understanding of art, the foundation of which was laid in Soviet Russia in 1934. With this understanding, a number of duties and ideologies have been imposed on the artist and the artist. In this study, in addition to the universality and literary similarity of the subjects of John Steinbeck and Orhan Kemal, two writers from different geographies in the context of SocialistRealistic Literature understanding, the social and political reasons why Orhan Kemal could not achieve such a great reputation as Steinbeck despite this literary success are both sociological and sociological. and will be examined from the perspective of comparative literature. Key words: Socialist Literature, Orhan Kemal, John Steinbeck.
社会主义现实主义文学语境中的两位作者:约翰·斯坦贝克和奥尔罕·凯末尔
自工业革命以来,机械化程度的提高影响了世界上许多社会,尤其是西方社会。随着革命机械化程度的提高,由于经济原因,随之而来的是移民运动。怀着更好生活的梦想,越来越多的人从农村地区向城市迁移,这导致了更糟糕的社会经济结果,而不是个人过上更好的生活。城市人口不断增长导致的劳动力过剩,为资本所有者提供了以较低成本雇佣工人的机会。结果,工作时间增加,工资减少。工人们被迫在城市里过着不人道的生活。越来越多的机械化在农村地区也开始显示出它的效果,随着农业机械化,村民的劳动力减少了,他们的土地被银行夺走了,他们被迫迁移。一些艺术家无法对工人所经历的这些艰难的生活条件无动于衷,他们在自己的作品中处理了这一主题。这种情况带来了对文学的新认识。这种理解是对艺术的“社会主义现实主义”理解,其基础是在1934年的苏俄奠定的。有了这样的理解,一些责任和意识形态被强加在艺术家和艺术家身上。在本研究中,在社会主义现实主义文学理解的语境中,除了约翰·斯坦贝克和奥尔罕·凯末尔这两位来自不同地域的作家的主题具有普遍性和文学相似性之外,奥尔罕·凯末尔虽然取得了文学上的成功,但却未能取得斯坦贝克那样的伟大声誉,其社会政治原因既有社会学的,也有社会学的。并将从比较文学的角度进行考察。关键词:社会主义文学,凯末尔,斯坦贝克
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