Iconography of Renaissance Ceremonials in the Early Modern World

Metin Mustafa
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Abstract

This article explores the iconography of Renaissance court ceremonials in the 16th century – how the East influenced the West – before the Orientalist trend and its impact on European visual culture during the latter part of the 17th and 18th centuries. From similar practices of using ceremonials and pageantries as representations of power and dynastic propaganda, to forging imperial and dynastic identities through myths, the Ottoman sultans and the dukes and princes of Florence and the Republic of Venice contributed to cross-cultural connections during the Renaissance period. As a result of this inextricable cultural connection between the Ottoman Empire and Renaissance Italy, this article argues the Ottomans deserve a place in Renaissance discourse.
近代早期文艺复兴仪式的肖像学
本文探讨了16世纪文艺复兴时期宫廷仪式的肖像学——东方是如何影响西方的——在东方主义思潮兴起之前,以及它在17世纪和18世纪后半叶对欧洲视觉文化的影响。从使用仪式和庆典作为权力和王朝宣传的代表的类似做法,到通过神话塑造帝国和王朝身份,奥斯曼苏丹和佛罗伦萨和威尼斯共和国的公爵和王子在文艺复兴时期为跨文化联系做出了贡献。由于奥斯曼帝国和文艺复兴时期的意大利之间这种不可分割的文化联系,本文认为奥斯曼人应该在文艺复兴时期的话语中占有一席之地。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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