{"title":"Different approaches to the scientific investigation of music","authors":"Sanja Srećković","doi":"10.2298/theo1904061s","DOIUrl":null,"url":null,"abstract":"The paper deals with the approaches to researching music from the scientific\n perspective. It is argued that the scientific literature concerning music\n contains two different methodological approaches which significantly\n determine the range of possible conclusions to be reached by the research.\n The approach ?from the outside? investigates music by automatically applying\n to music the more general conclusions concerning human cognition and other\n capacities and behaviors. Thus, this approach omits music?s internal\n factors. In contrast, the approach ?from within? consists in empirically\n investigating reactions to music, capacities necessary for its\n understanding, performing, etc., and their relationships with the reactions\n and capacities outside the domain of music. The paper shows that, even\n though the scientific research of music is still in the beginning stage, the\n approach from within enables more complete explanations concerning music,\n due to taking into account a larger number of factors relevant for\n philosophical understanding of the phenomenon of music.","PeriodicalId":374875,"journal":{"name":"Theoria, Beograd","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theoria, Beograd","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/theo1904061s","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The paper deals with the approaches to researching music from the scientific
perspective. It is argued that the scientific literature concerning music
contains two different methodological approaches which significantly
determine the range of possible conclusions to be reached by the research.
The approach ?from the outside? investigates music by automatically applying
to music the more general conclusions concerning human cognition and other
capacities and behaviors. Thus, this approach omits music?s internal
factors. In contrast, the approach ?from within? consists in empirically
investigating reactions to music, capacities necessary for its
understanding, performing, etc., and their relationships with the reactions
and capacities outside the domain of music. The paper shows that, even
though the scientific research of music is still in the beginning stage, the
approach from within enables more complete explanations concerning music,
due to taking into account a larger number of factors relevant for
philosophical understanding of the phenomenon of music.