REWRITING GENDER NARRATIVES IN KAMALA MARKANDAYA’S POSSESSION

Ana P. Mužar
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Abstract

Through the analysis of Kamala Markandaya’s Possession, this paper delves into postcolonial gender narratives that question the colonial and patriarchal mode of thought traditionally shaping gender discourse and thus shows how social and cultural paradigms determine the postcolonial gender roles and power relations in the novel. The aim of the paper is to elucidate how the interconnectedness of race, class and gender redefines the very norms of gender identity, defying gender-stereotypical narratives. This paper discloses that gender roles are constructed by the social, cultural and historical context rather than biology itself. Therefore, femininity does not necessarily correlate only with female sex, just as masculinity is not inextricably linked only with male sex. Still, female energy is continually suppressed by the dominant masculine social framework. Furthermore, the analysis of the novel reveals that the Western vs. non-Western dichotomy can be likened to the male vs. female one – the colonizer assuming male identity, the colonized female one.
在kamala markandaya的占有中重写性别叙事
本文通过对卡玛拉·玛坎达亚小说《占有》的分析,探讨了后殖民时期的性别叙事,对传统上塑造性别话语的殖民和父权思维模式提出了质疑,从而揭示了社会和文化范式如何决定小说中后殖民时期的性别角色和权力关系。本文的目的是阐明种族、阶级和性别的相互联系是如何重新定义性别认同的规范的,挑战性别刻板印象的叙述。本文揭示了性别角色是由社会、文化和历史背景而不是生物学本身所建构的。因此,女性气质不一定只与女性性别相关,正如男性气质也不一定只与男性性别相关一样。尽管如此,女性的能量仍不断受到占主导地位的男性社会框架的压制。此外,对小说的分析表明,西方与非西方的二分法可以比喻为男性与女性的二分法——殖民者以男性身份示人,而被殖民者则以女性身份示人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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