{"title":"When the Law Advances Access to Learning: Locke and the Origins of Modern Copyright","authors":"J. Willinsky","doi":"10.5334/KULA.8","DOIUrl":null,"url":null,"abstract":"In light of the challenge and promise currently facing scholarly publishing’s move to digital models of greater openness, this paper offers a point of historical reflection on an earlier era of concern over sustainable access to learned works. It reports on a period of great turmoil in publishing that ran from the end of British book licensing in 1695, which unleashed a great wave of print piracy and sedition, to the legal remedy afforded by the Statute of Anne 1710, which introduced what we now think of as modern copyright law. The paper begins with John Locke’s lobbying of Parliament to end the effrontery of press censorship and monopoly maintained by the three-decade old Licensing Act of 1662. The scholar-friendly legal reforms of this act that Locke proposed in the 1690s were not taken up by Parliament when it allowed the act to expire in 1695. However, six years after Locke’s death in 1704, his and others’ proposed reforms were to find a place in the Statute of Anne 1710. This legislation was the first to vest authors with an exclusive, limited-term right to print copies of their work, while also protecting the access rights of scholars and the public to these and other works. I argue that the history of the statute reveals how the age of copyright began with striking a fine legislative balance between the interests of learning and those of commercial publishing, while also offering further insight into Locke’s influential work on property rights and limits. My hope is that this portrayal of Locke’s relatively effective political intervention as scholar-activist and public defender of learning in relation to the subsequent Statute of Anne might inspire and lend weight to the academic community’s current grappling with the growing commercial dominance of scholarly publishing.","PeriodicalId":244853,"journal":{"name":"Reassembling Scholarly Communications","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Reassembling Scholarly Communications","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5334/KULA.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
In light of the challenge and promise currently facing scholarly publishing’s move to digital models of greater openness, this paper offers a point of historical reflection on an earlier era of concern over sustainable access to learned works. It reports on a period of great turmoil in publishing that ran from the end of British book licensing in 1695, which unleashed a great wave of print piracy and sedition, to the legal remedy afforded by the Statute of Anne 1710, which introduced what we now think of as modern copyright law. The paper begins with John Locke’s lobbying of Parliament to end the effrontery of press censorship and monopoly maintained by the three-decade old Licensing Act of 1662. The scholar-friendly legal reforms of this act that Locke proposed in the 1690s were not taken up by Parliament when it allowed the act to expire in 1695. However, six years after Locke’s death in 1704, his and others’ proposed reforms were to find a place in the Statute of Anne 1710. This legislation was the first to vest authors with an exclusive, limited-term right to print copies of their work, while also protecting the access rights of scholars and the public to these and other works. I argue that the history of the statute reveals how the age of copyright began with striking a fine legislative balance between the interests of learning and those of commercial publishing, while also offering further insight into Locke’s influential work on property rights and limits. My hope is that this portrayal of Locke’s relatively effective political intervention as scholar-activist and public defender of learning in relation to the subsequent Statute of Anne might inspire and lend weight to the academic community’s current grappling with the growing commercial dominance of scholarly publishing.
鉴于目前学术出版向更开放的数字模式转变所面临的挑战和前景,本文提供了一个对早期关注可持续获取学术作品的历史反思点。它讲述了出版业经历的一段大动荡时期,从1695年英国图书许可制度的终止,引发了一波大规模的印刷盗版和煽动叛乱,到1710年《安妮法令》(Statute of Anne)提供的法律补救,该法引入了我们现在所认为的现代版权法。这篇论文以约翰·洛克游说议会结束厚颜无耻的新闻审查和垄断开始,这些审查和垄断是由1662年颁布了30年的《许可法案》维持的。洛克在1690年代提出的对学者友好的法律改革在1695年允许法案到期时并没有被议会采纳。然而,在洛克于1704年去世六年后,他和其他人提议的改革在1710年的《安妮法令》中找到了一席之地。这项立法首次赋予了作者独家的、有期限的权利来印刷他们的作品,同时也保护了学者和公众对这些作品和其他作品的访问权。我认为,该法规的历史揭示了版权时代是如何开始的,在学习利益和商业出版利益之间取得了良好的立法平衡,同时也为洛克关于产权和限制的有影响力的工作提供了进一步的见解。我的希望是,洛克作为学者活动家和公共辩护人相对有效的政治干预的写照,与随后的《安妮法令》有关,可能会激励和促进学术界目前与学术出版日益增长的商业主导地位的斗争。