Margini Și Repere Metafizice în Poezia Blagiană

Iulia Pietraru
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Abstract

Abstract The aim of the present study is to follow how certain theoretical ideas related to the concept of “limit” are transposed in Lucian Blaga’s poetry. The poet’s obsession with metaphysical destruction is well-known. Rationalism destroys the mystery, meaning that it puts limits on the process of intentional and assumed Luciferian knowledge. The poet uses an archaic imaginary to place things in the universality, to go beyond what the human being can perceive. To sum up, the idea I want to demonstrate is that there are several types of limits in Lucian Blaga’s poetry, which will be analyzed, looking at some poems. I have referred to the volumes „Poemele luminii”, „Pașii profetului”, „În marea trecere”, „Lauda somnului”, „Corăbii cu cenușă”, „Cântecul focului”, „Ce aude unicornul” and „Ultimele poezii”.
摘要本研究旨在探讨与“极限”概念相关的某些理论思想是如何在卢西恩·布拉加的诗歌中转置的。诗人对形而上的毁灭的痴迷是众所周知的。理性主义摧毁了神秘,这意味着它限制了有意的和假定的路西法式知识的过程。诗人用一种古老的想象将事物置于普遍性之中,超越了人类的感知。总而言之,我想要展示的观点是卢西恩·布拉加的诗歌中有几种类型的限制,我们会通过一些诗歌来分析这些限制。我提到了“光明诗”、“Pașii profetului”、“În marea trerecere”、“Lauda somnului”、“corbii cu cenușă”、“centtecul focului”、“Ce aude独角兽”和“Ultimele poezii”等卷。
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