The Calamity of Average Taste Polemical Comments

V. Vozdvizhenskii
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Abstract

The current situation in literature, as in our entire cultural life, prompts us to give some thought to the nature of our postrevolutionary culture and to the origins of the forces that remain opposed to its fullest possible restoration. So as not to discuss this "in general," I would like to dwell on one particular literary fact, one that speaks volumes—i.e., the rather sensational article by Dmitrii Urnov titled "A Mad Exceeding of One's Powers," about Boris Pasternak's novel Doctor Zhivago. In the half year since its appearance the article has received, on the whole, an accurate and well-deserved response. There are few who have agreed with Urnov, and few have failed to see the thoroughgoing inappropriateness of his opinions and conclusions for the work itself. It is not that the article's author had a negative opinion of the novel; that's everyone's right. The point is that his interpretation bypassed the book's actual substance.
普通品味的灾难,论战评论
文学的现状,就像我们整个文化生活的现状一样,促使我们思考一下革命后文化的本质,以及那些仍然反对充分恢复文化的力量的起源。为了不笼统地讨论这个问题,我想谈谈一个特别的文学事实,一个很有说服力的事实——即。德米特里·乌尔诺夫(Dmitrii Urnov)发表了一篇相当轰动的文章,题为《疯狂地超越自己的权力》,讲述了鲍里斯·帕斯捷尔纳克(Boris Pasternak)的小说《日瓦戈医生》。文章发表半年以来,总体上得到了准确和当之无愧的回应。很少有人同意乌尔诺夫的观点,也很少有人不认为他的观点和结论完全不适合这项工作本身。这并不是说这篇文章的作者对这部小说有负面看法;大家都是对的。问题是他的解释绕过了这本书的实质内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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