Fashioning the Field in Vietnam

Ann Marie Leshkowich
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Abstract

This chapter explores how a state-sponsored fashion show for women in their 40s depicted an appropriate midlife femininity as mature, attractive, self-confident, and mindful of both Vietnam’s revolutionary socialist past and future market prosperity. The event spoke back to global fashion hierarchies by highlighting Vietnam as a source of style, rather than simply a site for manufacturing others’ designs. It also suggested that Vietnamese fashion was on the cusp of receiving international attention—a metaphor for Vietnam’s development more broadly—and that what women wore and how they behaved were central to the attainment of this recognition. These claims were bolstered when, in an unexpected turn of events, the author’s presence at the fashion show generated national press coverage. Examining the “field” of Ho Chi Minh City in the 1990s as a site of ethnographic research encounters, this chapter explores the dialogic and embodied politics of knowledge production that characterize research on fashion in globalizing contexts.
塑造越南战场
本章探讨了一场由国家赞助的40多岁女性时装秀是如何描绘出成熟、迷人、自信、对越南革命社会主义历史和未来市场繁荣都有深刻印象的中年女性气质的。这次活动通过强调越南是时尚之源,而不仅仅是制造他人设计的地方,回应了全球时尚等级制度。它还表明,越南时尚正处于受到国际关注的尖端——这是越南更广泛发展的一个隐喻——而女性的穿着和行为方式是获得这种认可的核心。当意外发生时,作者在时装秀上的出现引起了全国媒体的报道,这些说法得到了支持。本章考察了20世纪90年代胡志明市的“场域”,作为民族志研究遭遇的场所,探讨了全球化背景下时尚研究的特征——知识生产的对话和体现政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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