Tara bandu: On the hybridization of a sign

José Pinto Casquilho, Xisto Martins
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引用次数: 1

Abstract

Tara bandu is a traditional ceremony in Timor-Leste that enshrines a customary law with official recognition since independence, which generally applies to the spatial scale of the smallest administrative division of the territory (suco) and several years of timespan, rooting in tradition (lisan), concerning natural resources management and also relations among people. There is evidence related to the concepts of adat (tradition in Indonesia) and pemali (taboo) in Southeast Asia and Austranesia, suggesting that precursors of tara bandu should exist before the Portuguese arrival in the early XVI century. Yet, there was a subsequent diachronic process of hybridization of static iconic devices and other traditional Timorese practices with the vocalized Portuguese colonial bandos, evolving to a choreographic complex ritual with several semiotic dimensions: the sacrificial animist performance addressed to the ancestor’s spirits and a supernatural environment (lulik), dances and others including Catholic rites, then focusing on written documents endorsing commitments. Contemporaneously, tara bandu is a salient event anchoring communities in defining participatory land use plans including agreements on property boundaries, rules of engagement and also interdictions and sanctions. Tara bandu is mentioned nowadays as an example and case-study of bottom-up strategies for environmental peacebuilding processes.
塔拉·班杜:关于一个符号的杂交
Tara bandu是东帝汶的一种传统仪式,它体现了自独立以来得到官方承认的习惯法,一般适用于领土最小行政区划的空间尺度(suco)和几年的时间跨度,植根于传统(lisan),涉及自然资源管理和人与人之间的关系。有证据表明,在东南亚和澳大利亚,adat(印度尼西亚的传统)和pemali(禁忌)的概念相关,这表明塔拉班杜的前身应该在16世纪早期葡萄牙人到达之前就存在了。然而,随后又有一个历时性的过程,将静态的标志性装置和其他传统的东帝汶做法与葡萄牙殖民乐队的发声结合起来,演变成一种具有几个符号方面的舞蹈复杂仪式:针对祖先的灵魂和超自然环境(lulik)的祭祀万物有灵表演,舞蹈和其他包括天主教仪式,然后专注于认可承诺的书面文件。与此同时,tara bandu是一个突出的事件,它将社区锚定在界定参与性土地使用计划方面,包括财产边界协议、交战规则以及禁令和制裁。目前提到塔拉班杜是环境建设和平进程自下而上战略的一个例子和个案研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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