Antithetical Stances towards Nature in Rose Tremain's Rosie: Scenes from a Vanished Life

مجلة کلیة التربیة فى العلوم الإنسانیة و الأدبیة Pub Date : 2021-01-01 DOI:10.21608/JFEHLS.2021.190485

H. Barakat

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Abstract

The present study attempts an ecocritical approach to Rose Tremain's memoirs Rosie: Scenes from a Vanished Life (2018). Ecocriticism is concerned with the literary representation of man-environment relationship; it is a literary theory that engages diverse disciplines of humanities and science. Based on this propensityforinterdisciplinarity, this study draws on Greek mythology; the Gaia-Prometheus myth; science, James Lovelock's Gaia hypothesis; and ecology, the dichotomous concepts of human-nature connectedness and ecophobia. Dividing the different generations in the memoirs into two, the elders and the youngster, the study investigates how these generationsrelate to nature; which generation enjoys an interconnected stance to nature, and which one holds an ecophobic attitude. What nature represents to these generations, andthe effect of their different allegiances with it on their lives are approached. The study also traces the failures and successes of these members and shows to what extent they are conditioned by their different stances toward nature.

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罗斯·特里梅斯的《罗西:消逝生命的场景》中对自然的对立立场

本研究试图对罗斯·特雷特的回忆录《罗西:消失生活的场景》(2018)进行生态批评。生态批评关注的是人与环境关系的文学表现;它是一种涉及人文和科学多种学科的文学理论。基于这种跨学科的倾向，本研究借鉴了希腊神话;盖亚-普罗米修斯神话;科学，詹姆斯·洛夫洛克的盖亚假说;还有生态学，人与自然的联系和生态恐惧症的二分概念。该研究将回忆录中的不同世代分为两代，老年人和年轻人，调查这几代人与自然的关系;哪一代人对自然的态度是相互联系的，哪一代人对生态持恐惧态度。本书探讨了自然对这几代人的意义，以及他们对自然的不同忠诚对他们生活的影响。该研究还追溯了这些成员的失败和成功，并表明他们在多大程度上受到他们对自然的不同立场的影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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مجلة کلیة التربیة فى العلوم الإنسانیة و الأدبیة

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