Conclusion

Abstract

The conclusion reflect on the meaning of Hip-Hop dance as witnessed in the U.S. embassy’s diplomatic convention “America in 3D: Diplomacy, Development, and Defense” (2011) in the Philippines. It argues for more engagement between Black feminist theory and Filipina performances, like “Pinays Rise,” a dance within the convention that challenged gender and class stereotypes of Filipinas as caregivers. The conclusion first analyzes “Pinays Rise,” and then connects the convention’s theme to the historical significance of stereoscopy, or the depth-enhancing imaging technique. The conclusion reviews the book’s main arguments and addresses the potential uses for performative euphemism in academic studies of culture and race. Finally, it calls for a holistic approach to Hip-Hop that reckons with discourses of Filipino cultural politics and dance.