Wisdom and Mystical Thoughts on The Mirror-Tiles Art in Safavid Architectural Space and its Relationship With Sufism

Naeim Sepehri
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Abstract

The Mirror-tiles artwork is one of the latest initiatives of Iranian spiritual art which with its symbolic expression and mysterious character, conveys the revelations and mystical thoughts in the cover of matter and form to its audience and affects them consciously and unconsciously. This art is an esoteric language to convey intuitive concepts and to remind the way of their inherited life from the predecessors as traditional art has always been based on symbols and allegories and expresses the spirit of its time. The first peak of the Mirror-tiles used in architectural spaces in Iran coincided with the fusion of Sufism and Shi’ism in the early period of the Safavid Empire. The Safavid dynasty had Sufi roots and lineage, and among the Sufis, the inner language is the language of Shari’a and Truth, and the tools of that language are the symbol and indication. Has been rejected or neglected due to a lack of interest and attention to the registration of special documents, the secrets governing this system, new historical conditions, and profound and obvious developments in the realm of contemporary history. With the aim of the influence of the Persian mystical thoughts about the Mirror, this study with the available historical and contemporary sources and analyzing them deals with the hidden meanings in this art and reveals its connection with Sufism and Mysticism through mystical literature and its historical process.
萨法维建筑空间中镜瓦艺术的智慧与神秘思考及其与苏菲主义的关系
镜瓦艺术作品是伊朗精神艺术的最新创想之一,它以其象征性的表达和神秘的特征,将物质和形式的启示和神秘的思想传达给观众,并有意无意地影响着他们。这种艺术是一种深奥的语言,传达直观的概念,并提醒他们从前辈那里继承的生活方式,因为传统艺术一直以符号和寓言为基础,表达其时代精神。伊朗建筑空间中使用镜瓦的第一个高峰恰逢萨法维帝国早期苏非派和什叶派的融合。萨法维王朝有苏菲派的根源和血统,在苏菲派中,内在语言是伊斯兰教法和真理的语言,而这种语言的工具是符号和指示。由于对特殊文献的登记、管理这一制度的秘密、新的历史条件和当代历史领域深刻而明显的发展缺乏兴趣和重视,被拒绝或忽视。以波斯神秘主义思想对镜子的影响为目的,本研究结合现有的历史和当代资料,并对其进行分析,以处理这一艺术中隐藏的含义,并通过神秘主义文学及其历史进程揭示其与苏菲主义和神秘主义的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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