A life elsewhere: figurations of the journey in Wilma Stockenström’s The Expedition to the Baobab Tree

Dirk Klopper, Elizabeth K. Sekwiha-Gwajima
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引用次数: 2

Abstract

Abstract Wilma Stockenström’s novel The Expedition to the Baobab Tree provides a first-person account of a fifteenth-century slave woman who was abducted in childhood from her forest village, sold in a Swahili coastal city to a succession of masters, and has come to inhabit the hollow of a baobab tree in the interior of the land after a failed expedition to find a trade route to a mercantile city rumored to be located in the distant northwest of the continent. The life story of journeys undertaken by the narrator is mirrored in the formal crossings of genres that include slave narrative, colonial travelogue, adventure fiction and nature writing. Taking as point of departure the English translation of an Afrikaans novel, and the implication of an Afrikaans writer’s use of a first-person point of view in telling the life story of a slave woman, the paper discusses the significance of the novel’s crossing of linguistic, cultural, and generic boundaries, and relates this to its thematic preoccupation with the crossing of the boundary between culture and nature.
别处的生活:威尔玛Stockenström的《猴面包树之旅》中的旅途形象
文摘威尔玛Stockenstrom的小说《远征猴面包树树提供了一种第一人称的十五奴隶的女人被绑架儿童从她的森林里村,在斯瓦希里语沿海城市卖给一个接一个的主人,和已经栖息在一棵猴面包树的中空的内部土地远征失败后找到一个商业城市的贸易路线据传是坐落在遥远的非洲大陆的西北部。叙述者所经历的人生旅程反映在各种体裁的正式交叉中,包括奴隶叙事、殖民游记、冒险小说和自然写作。本文以一部阿非利卡语小说的英译为切入点,从阿非利卡语作家运用第一人称视角讲述一个女奴的生平故事的意义出发,探讨了这部小说跨越语言、文化和一般边界的意义,并将其与小说对跨越文化与自然边界的主题关注联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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