I ki hezar aferin bon nidge Sultan olur Dervishes Ceremonies in Constantinople Described by Western Travellers and Painters between Sixteenth and Eighteenth Century

Giovanni De Zorzi
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Abstract

Between the sixteenth century and the eighteenth century many Europeans visited Constantinople, the new Ottoman capital, and wrote reports that took various aspects of its cultural and musical life into consideration. Among the recurring elements of such reports, we note the description of Dervishes and their ceremonies, often accompanied by engravings and very rarely by musical transcriptions. Through time, such a description became a topic (and a stereotype) both in literature and in fine arts. My article retraces and comments descriptions of Dervish ceremonies, in a chronological order, by Western travellers and scholars between sixteenth and eighteenth century, between the so-called Age of Exploration and Modernity.
16世纪至18世纪西方旅行家和画家描绘的君士坦丁堡的苏丹托钵僧仪式
在16世纪和18世纪之间,许多欧洲人访问了奥斯曼帝国的新首都君士坦丁堡,并写下了考虑到其文化和音乐生活各个方面的报告。在这些报告中反复出现的元素中,我们注意到对托钵僧和他们的仪式的描述,通常伴随着雕刻,很少有音乐转录。随着时间的推移,这样的描述成为文学和美术的一个话题(和刻板印象)。我的文章按照时间顺序追溯并评论了西方旅行家和学者在16世纪到18世纪之间,也就是所谓的探索时代和现代之间对苦行僧仪式的描述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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