{"title":"THE ASPIRATION FOR INTERNAL DIALOGUE AS LYRICAL SUBJECTS’ SELF-REFLECTION FORM IN WORKS OF V. TSOI AND I. KORMIL’TSEV","authors":"Z. Stankovich","doi":"10.28995/2686-7249-2021-3-84-91","DOIUrl":null,"url":null,"abstract":"The article examines the issue of internal dialogue possibility as a way to oneself in the form of literary self-reflection on the material of V. Tsoi’s and I. Kormil’tsev’s works. For that purpose, a comparative analysis of the songs’ texts “Ya – asfal’t” by V. Tsoi and “Nikomunikabelnost” by I. Kormil’tsev is carried out. The lyrical subjects of both authors use such “auxiliary means” as letter (Tsoi) and telephone (Kormil’tsev) in order to reach internal dialog. It is revealed that those means of communication and contact with oneself create an effect of maximal defamiliarization, the ability to look at oneself as at different subject and thus enter the space of self-reflection which is a characteristic feature of Russian rock poetry’s authors worldview. Both poets somehow raise the issue of loneliness. The lyrical subject of Tsoi is closed in his own world where he plays various life roles but at the same time he thinks about the possibility of access to other people. Kormil’tsev’s text, on the contrary, presents excessive communication with other individuals which ultimately hampers the internal dialogue of the lyrical subject. Hence the hero gets into a tragic situation: he has no time and opportunity to communicate with himself but also no desire to open his soul to abstract interlocutors. The self-reflection attempt in the work of Tsoi can be considered largely successful, while the lyrical subject of Kormil’tsev despite repeated efforts can not establish contact with himself.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"41 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28995/2686-7249-2021-3-84-91","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
The article examines the issue of internal dialogue possibility as a way to oneself in the form of literary self-reflection on the material of V. Tsoi’s and I. Kormil’tsev’s works. For that purpose, a comparative analysis of the songs’ texts “Ya – asfal’t” by V. Tsoi and “Nikomunikabelnost” by I. Kormil’tsev is carried out. The lyrical subjects of both authors use such “auxiliary means” as letter (Tsoi) and telephone (Kormil’tsev) in order to reach internal dialog. It is revealed that those means of communication and contact with oneself create an effect of maximal defamiliarization, the ability to look at oneself as at different subject and thus enter the space of self-reflection which is a characteristic feature of Russian rock poetry’s authors worldview. Both poets somehow raise the issue of loneliness. The lyrical subject of Tsoi is closed in his own world where he plays various life roles but at the same time he thinks about the possibility of access to other people. Kormil’tsev’s text, on the contrary, presents excessive communication with other individuals which ultimately hampers the internal dialogue of the lyrical subject. Hence the hero gets into a tragic situation: he has no time and opportunity to communicate with himself but also no desire to open his soul to abstract interlocutors. The self-reflection attempt in the work of Tsoi can be considered largely successful, while the lyrical subject of Kormil’tsev despite repeated efforts can not establish contact with himself.