The Proletarian Literature Movement: Japan’s First Encounter with Working-Class Literature

Mats Karlsson
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Abstract

This essay explores Japanese working-class literature as it developed within the wider context of the so-called Proletarian Cultural Movement that was in operation for about ten years, peaking in the late 1920s. While tracing the origins of the initiative to create a “proletarian” literature in Japan to Marxist study circles at universities, it discusses the movement’s quest to foster “true” worker writers based on the factory floor. Next, the chapter highlights literary works by female writers who were encouraged at the time by international communism’s focus on the Japanese women issue due to their high inclusion in the industrial work force. Finally, the chapter discusses the legacy and continuing relevance of Kobayashi Takiji’s The Crab Cannery Ship, the flagship of working-class literature in Japan. Throughout, the essay endeavors to paint a vivid picture of writer activists within the movement.
无产阶级文学运动:日本第一次遇到工人阶级文学
这篇文章探讨了日本工人阶级文学在所谓的无产阶级文化运动的更广泛背景下的发展,这场运动持续了大约十年,在20世纪20年代末达到顶峰。在追溯在日本创立“无产阶级”文学的倡议的起源到大学马克思主义研究圈子的同时,它讨论了该运动在工厂车间培养“真正的”工人作家的追求。接下来,这一章重点介绍了女性作家的文学作品。当时,由于日本女性在工业劳动力中的比例很高,国际共产主义对日本女性问题的关注鼓励了女性作家。最后,本章讨论了日本工人阶级文学的旗舰小林孝二的《蟹罐头船》的遗产和持续的相关性。在整个过程中,这篇文章努力描绘了一幅生动的运动中的作家活动家的画面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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