Procedeul Repetiţiei Și Valenţele Sale – Indicatoare Semantice În Construcţia Poetică Blagiană

Teona Farmatu
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Abstract

Abstract By analyzing the Lucian Blaga’s poetry, this paper aims to argue how the form of poems contributes significantly to the creation of meaning through the stylistic figure of repetition. From the first volume, „Poems of light”, the repetition gains, beyond an aesthetic function, an ontic one specific to the Lucian Blaga’s consubstantiality between the poetic subject and the universe. During this approach, the repetition multiplies its phenomenalizations, in order to a significant part of the global meaning of the text is due to it. The major conclusion of this paper consists in highlighting a pattern of a continuous and ethereal aspiration to the self-world osmosis depending on Blaga’s creative stages.
本文通过对卢西恩·布拉加诗歌的分析,探讨诗歌形式如何通过重复的文体形象对意义的创造做出重要贡献。从第一卷“光之诗”开始,重复获得了一种超越美学功能的实体,这是卢西恩·布拉加在诗歌主题与宇宙之间的一致性所特有的。在这种方法中,重复成倍地增加了它的现象化,以便文本的重要部分的整体意义是由于它。本文的主要结论在于强调了一种依赖于布拉加创作阶段的对自我世界渗透的持续和缥缈的渴望模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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