Multidimensional Unity: ‘A Dozen Features of Propriety’

Robert S. White
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Abstract

This chapter considers the collection as a whole, suggesting some stylistic and thematic links and similitudes which establish the volume as one which has a considered unity. These facets are summarized as (1) enchantment and disenchantment (Fraistat), (2) dreams and visions, (3) the theme of loss, (4) a word, ‘adieu’, (5) bringing back the past, (6) antithetical states and contrast (7), the concept behind Milton’s ‘L’Allegro’ and ‘Il Penseroso’, (8) dialectic and debate, (9) beauty and truth (10) associational logic (11) ‘stitching’ imagery (12) the theme of melancholy, which the rest of this book will explore. These aspects are analysed by moving across the collection as a whole, while the reasons behind the ordering of the poems will be considered in the final chapter.
多维统一:“礼的十二个特征”
本章将文集视为一个整体,提出了一些风格和主题上的联系和相似之处,这些联系和相似之处使本书成为一个经过深思熟虑的统一体。这些方面被总结为:(1)着迷和祛魅(Fraistat),(2)梦和幻象,(3)失落的主题,(4)一个词,“再见”,(5)带回到过去,(6)对立的状态和对比(7),弥尔顿的“allegro”和“Il Penseroso”背后的概念,(8)辩证法和辩论,(9)美与真(10)联想逻辑(11)“拼接”意象(12)忧郁的主题,这本书的其余部分将探讨。这些方面是通过整个收集来分析的,而诗歌排序背后的原因将在最后一章中考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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