Responsibility of popular musicians in causing social change in contemporary Nigeria: An analytical study

E. Ibekwe, Chima Albert Abiakwu
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Abstract

The musician in contemporary Nigeria constantly finds himself enmeshed in a conflict where he is expected to be both a lead voice and a pacifier. This work therefore analyses the role of Nigeria’s contemporary popular musicians in positive social re-engineering since by their art they are seen to enjoy a particular kind of immunity and freedom in making their voices heard in society. The questions remain, to what extent have they fulfilled this responsibility in the light of emerging socio-political concerns? What are the factors that inhibit their performance of this role as bearers of society’s conscience? This survey is conducted using secondary sources, analysis of song texts, live events and personal observations by the researcher as medium of data collection. It was evident that indeed there is the burden of social change on the shoulders of the Nigerian musician, a responsibility that has been performed with varying degrees of commitment and success in contemporary Nigeria. The study recommends a better reception of the messages of popular musicians especially as it concerns the well-being of society.
当代尼日利亚流行音乐家引起社会变革的责任:分析研究
这位当代尼日利亚的音乐家经常发现自己陷入了一场冲突,在这场冲突中,他被期望既是主音,又是安抚者。因此,这项工作分析了尼日利亚当代流行音乐家在积极的社会再造中的作用,因为通过他们的艺术,他们被视为享有一种特殊的豁免权和自由,使他们的声音在社会上被听到。仍然存在的问题是,鉴于正在出现的社会政治问题,它们在多大程度上履行了这一责任?是什么因素阻碍他们履行社会良知承担者的职责?本调查采用二手资料、歌曲文本分析、现场活动和研究者个人观察作为数据收集的媒介。很明显,尼日利亚音乐家肩上确实肩负着社会变革的重担,在当代尼日利亚,这一责任在不同程度上得到了承诺和成功。该研究建议更好地接受流行音乐家的信息,特别是因为它关系到社会的福祉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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