« De la bêtise et du conformisme » comme forme de stéréotype dans la littérature de Belinda Cannone

Buata B. Malela
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Abstract

In this paper, our analysis will focus on the concept of stereotype based on the notion of “bêtise” (stupidity) that French essayist and novelist Belinda Cannone deplores. We will study how she rethinks the “bêtise”, after Flaubert who defined it as the art of wanting to conclude. In La bêtise s’améliore (2007) Cannone gives the example of Flaubert, making the “bêtise” the doxa that touches all areas of social life. The central element of “bêtise”, according to Belinda Cannone, remains in many respects conformism. It is a question of seeing how, in Cannone’s discourse, these two notions – “bêtise” and conformism – are articulated and allow her to redefine her ethos of the engaged intellectual in the public space.
“愚蠢和墨守成规”是贝琳达·坎农文学中的一种刻板印象
在本文中,我们的分析将集中在刻板印象的概念,基于法国散文家和小说家Belinda Cannone痛惜的“bêtise”(愚蠢)的概念。我们将研究她如何重新思考“bêtise”,在福楼拜将其定义为想要结束的艺术之后。在La bêtise s’am liore(2007)中,坎农以福楼拜为例,使“bêtise”成为触及社会生活各个领域的doxa。根据Belinda Cannone的说法,“bêtise”的核心元素在许多方面仍然是墨守成规。在坎能的话语中,这两个概念——“bêtise”和墨守成规——是如何被表达出来的,这是一个问题,并允许她重新定义她在公共空间中参与的知识分子的精神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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