The Memory of the Woman in the Painting

Türkân Yeşi̇lyurt
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Abstract

Ahmet Muhip Dıranas, who stands out with his poet identity, also has works in the theater genre. Dranas' play Shadows is the drama of an old Father. Apart from Father, there are Mother, Son, Daughter, Fiancee, Neighbor, Woman in Pomegranate Flower Dress, Young Man, Doctor, Butler, Servant. The Father's bond with memories is stronger than with reality. For this reason, the game has been analyzed in the context of memories. The father is a person who has entered the path of old age. He took refuge in his memories because he was not satisfied with the life he lived. At the center of her memories is the Woman in Pomegranate Flower Dress. He connects to the past and life with his portrait in the painting. The Woman Dressed in Pomegranate Flower points to thirty-five years ago. The woman still stands in the painting as a young and beautiful young girl. In fact, the Father is also in the past. Because the Woman Dressed in Pomegranate Flower is to represent the love that was left incomplete. It is in vain that he tries to fill this deficiency with the memory of the woman. The object of desire that creates the deficiency is the woman herself. In this respect, the painting with the portrait of the Woman Dressed in the Pomegranate Flower is not an object. Table; It is like a living being that comes between Father and Mother, Son and Daughter. It is the unforgettable memory that makes the house uncanny.
画中女人的记忆
以诗人身份脱颖而出的艾哈迈德•穆希(Dıranas)也有戏剧作品。德拉纳斯的戏剧《影子》是一部关于一位老父亲的戏剧。除了父亲,还有母亲、儿子、女儿、未婚妻、邻居、穿石榴花衣服的女人、年轻人、医生、管家、仆人。天父与记忆的联系比与现实的联系更强烈。出于这个原因,我们在记忆的背景下分析了这款游戏。父亲是一个已经步入老年道路的人。他在回忆中寻求庇护,因为他对自己的生活不满意。她记忆的中心是那个穿石榴花裙的女人。他通过画中的肖像与过去和生活联系在一起。穿石榴花的女人指的是三十五年前。画中的女人仍然是一个年轻美丽的少女。事实上,父也在过去。因为穿石榴花的女人代表的是残缺的爱情。他试图用对那个女人的记忆来填补这一缺陷,但这是徒劳的。造成这种缺陷的欲望对象是女人自己。在这方面,这幅画中穿着石榴花的女人的肖像并不是一个对象。表;它就像一个存在于父亲与母亲、儿子与女儿之间的生命体。正是难以忘怀的记忆使这座房子变得不可思议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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