The Democratic Chorus: Culture, Dialogue and Polyphonic Paideia

Damon A. Young
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引用次数: 6

Abstract

ABSTRACT Sensible dialogue is essential to any healthy democracy. Dialogue, in turn, requires some grasp of the traditions within which it occurs. However, late capitalism is characterised by the systematic corruption of cultural traditions by mechanism and atomism. While the tradition of capitalism remains, our capacity to recognise and creatively overcome it is corrupted. As an alternative to this, we require a bold vision of healthy cultural life. This paper argues that such a vision can be found in the Chorus of Classical Greek tragedy. Grounded in narrative theory and the work of Bakhtin and Bourdieu, this account of the Chorus gives an alternative to the superficiality of late modernity. It is a vision of democratic citizens doing justice to themselves and one another through narrative paideia. Greek tragedy does its thinking in a form which is vastly more politically advanced than the society which produced Greek tragedy1. Edith Hall
民主合唱:文化、对话和复调合唱
明智的对话对于任何健康的民主都是必不可少的。反过来,对话需要对对话发生的传统有一定的把握。然而,晚期资本主义的特点是机制主义和原子主义对文化传统的系统性腐蚀。虽然资本主义传统依然存在,但我们认识资本主义并创造性地克服它的能力已经腐化。作为另一种选择,我们需要对健康的文化生活有一个大胆的设想。本文认为,这种愿景可以在古希腊悲剧的合唱中找到。基于叙事理论和巴赫金和布迪厄的作品,这种对《合唱》的描述为晚期现代性的肤浅提供了另一种选择。这是一种民主公民通过叙事方式公正对待自己和他人的愿景。希腊悲剧以一种比产生希腊悲剧的社会在政治上先进得多的形式进行思考。伊迪丝·霍尔
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