The Contextual Approach in the System of Musical Education in Institutions of Higher Education

O. Pervushina, N. V. Kryuchkova
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Abstract

The article examines the conditions of the organization of the context-based education of graduate students in the direction students in the category of “53.00.00. The Art of Music” in institutions of higher education from the angle of the productivity of development of a professionally integrated personality combining analytical, pedagogical, performance and creative components within himself. The requirements for the content of graduate school training in instrumental performance are examined in their application to the professional milieu – the context presenting itself in the role of the space of involvement into the activities of the performing musical ensemble in the primary states of instruction. Attention is accentuated towards the results of the educational process, which are revealed beyond the limits of auditory forms of instruction. The significance of the context-based approach lies in the fact that in the process of its application there occurs a transformation of the graduate student’s educational activities into professional activities on the basis of actualization of his independent word. When the educational program is realized the graduate student’s independent work is perceived as one of the forms of carrying out the context-based approach. The meaning and purpose of independent work placed into a context-based milieu of the educational variety are analyzed. Its organization becomes effective if it is realized in a creative and productive milieu, beyond the frameworks of auditory classes and lessons, by means of involvement of the performing musician into the creative process (rehearsals, instruction, performance and analysis) connected with the activities of professional musical ensembles, organizations or communities. Professional musical ensembles are perceived to possess the indispensable potential for formation of professional integrated personalities. Keywords: musical education, professionally integrated personality, contextual approach, independent work of a student, musical performance activity.
高等学校音乐教育体系中的情境教学法
本文以“53.00”学生为研究对象,考察了研究生情境化教育的组织条件。高等院校的音乐艺术“从生产力的角度发展一个专业的综合人格,包括分析,教学,表演和创造性的组成部分。对研究生院器乐演奏训练内容的要求是在其应用于专业环境的过程中进行检验的——在主要的教学状态下,背景以参与演奏音乐合奏活动的空间的角色呈现出来。强调教育过程的结果,这些结果超越了听觉教学形式的限制。情境教学法的意义在于,在情境教学法的应用过程中,研究生在实现其自主话语的基础上,将其教育活动转化为专业活动。当教育计划实现时,研究生的独立工作被视为实施基于情境的方法的一种形式。分析了在基于情境的教育环境中进行独立作业的意义和目的。它的组织变得有效,如果它是在一个创造性和生产性的环境中实现的,超越了听觉类和课程的框架,通过参与表演音乐家的创造性过程(排练,指导,表演和分析)与专业音乐合奏,组织或社区的活动。专业的音乐合奏被认为具有不可或缺的潜力,形成专业的综合人格。关键词:音乐教育,专业整合人格,情境教学法,学生独立作业,音乐表演活动。
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