{"title":"Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of “African Art”","authors":"S. O. Ogbechie","doi":"10.14361/TRANSCRIPT.9783839424117.113","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":104321,"journal":{"name":"Art History and Fetishism Abroad","volume":"387 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art History and Fetishism Abroad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/TRANSCRIPT.9783839424117.113","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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