The New Frontier for Labor in Trade Agreements

Á. Santos
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引用次数: 1

Abstract

In the spring of 2015, I took my students of international trade law to visit the World Trade Organization (WTO) in Geneva. It was a two-day trip, organized around lectures and discussions with staff from different divisions of the organization, the Advisory Centre of WTO Law and the permanent missions of two countries. None of my students had been there before, and even though I had taught international trade law for several years, it was also my first time visiting the headquarters of the organization. We were excited and curious. The building looked big and majestic. The back side opened to a spacious park overlooking Lake Geneva. It made for a pleasant tour on a cool, sunny morning. The WTO was celebrating its 20th anniversary, and there were banners hanging from the walls in the internal atrium marking the occasion, as well as announcements of events to come.

In our second session, we were led to a room with wooden panels and a colorful mural that spanned the four walls. It depicted industrial workers — strong men making a car, miners, shipbuilders, men using heavy equipment, but also women, seamstresses, teachers and a few children. In the center a bare-chested man between two goddess-like women was holding a torch. The mural struck me as an ode to work, to achievement and to emancipation. A tale of the human race transforming the world through physical and intellectual labor. The painting, by Dean Cornwell, reminded me of the frescos of Mexican artist Diego Rivera in its depiction of industrial workers, although this one had no reference to exploitation or the confrontation between capital and labor. It was an incredibly optimistic image of work and human progress.

I was surprised to see a mural of workers in the WTO. The painting seemed not only vintage but also out of place. What was it doing here?
贸易协定中的劳工新领域
2015年春天,我带着国际贸易法专业的学生去日内瓦参观世界贸易组织(WTO)。这是一次为期两天的访问,主要是与来自世界贸易组织不同部门、世界贸易组织法律咨询中心和两个国家常驻代表团的工作人员进行讲座和讨论。我的学生以前都没有去过那里,尽管我教了几年国际贸易法,但这也是我第一次参观该组织的总部。我们既兴奋又好奇。那座建筑看起来又大又雄伟。房子的背面通向一个俯瞰日内瓦湖的宽敞公园。在一个凉爽、阳光明媚的早晨,这是一次愉快的旅行。世贸组织当时正在庆祝成立20周年,内部中庭的墙上悬挂着庆祝这一时刻的横幅,以及即将举行的活动的公告。在我们的第二次会议中,我们被带到一个房间,房间里有木板和横跨四面墙的彩色壁画。它描绘了工业工人——制造汽车的强壮男人、矿工、造船工人、使用重型设备的男人,还有妇女、裁缝、教师和一些孩子。在中间,一个赤裸着胸膛的男人站在两个女神般的女人中间,手里拿着火炬。这幅壁画给我的印象是一首歌颂工作、成就和解放的颂歌。人类通过体力劳动和智力劳动改变世界的故事。这幅由迪恩·康威尔(Dean Cornwell)创作的画,让我想起了墨西哥艺术家迭戈·里维拉(Diego Rivera)描绘产业工人的壁画,尽管这幅画没有提到剥削或资本与劳动力之间的对抗。这是一幅关于工作和人类进步的令人难以置信的乐观图景。我很惊讶地看到一幅世贸组织工人的壁画。这幅画不仅显得陈旧,而且显得不合时宜。它在这里做什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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