Nationalist Approach in Appropriating Traditional and Modern Identity in Wole Soyinka’s The Lion and the Jewel

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Abstract

Wole Soyinka, an African dramatist, has represented Nigerian culture and traditions in his works. He has highlighted the post-colonial context and the resistance by the natives to European cultural hegemony. This research paper aims at exploring the nationalist approach in explaining the current state of values and the attitude of people in Nigeria through a nationalistic idea that ascribes gender roles in its attempt to retain true self-identity. The nationalistic approach propounded by Fanon has been employed as the framework for Soyinka’s play The Lion and the Jewel. The study finds out that Soyinka has highlighted gender roles and the customs related to marriage, bride price, and the relation between husband and wife. He emphasizes the responsibility of women in terms of defining their roles and retaining their values by accepting the prescribed status assigned to them in a patriarchal setup.
索因卡《狮子与宝石》传统与现代认同的民族主义取向
非洲戏剧家沃勒·索因卡在他的作品中表现了尼日利亚的文化和传统。他强调了后殖民语境和当地人对欧洲文化霸权的抵抗。本研究论文旨在探索民族主义的方法,通过一种民族主义的想法来解释尼日利亚人的价值观和态度的现状,这种民族主义的想法将性别角色归因于其试图保留真正的自我认同。法农提出的民族主义方法被用作索因卡戏剧《狮子与宝石》的框架。研究发现,索因卡突出了性别角色和与婚姻、彩礼和夫妻关系有关的习俗。他强调了妇女在定义她们的角色和通过接受在父权制度中分配给她们的规定地位来保持她们的价值方面的责任。
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