Visibility: Growing Sideways in I’ll Get There. It Better Be Worth the Trip.1

Derritt Mason
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Abstract

This chapter revisits the first-ever young adult book with gay content, John Donovan’s I’ll Get There. It Better Be Worth the Trip., originally published in 1969. Mason finds value in elements of this novel that have been critiqued over the years: invisibilities, ambiguities, nonteleological ways of conceiving growth, and, specifically, how the protagonist never has a “coming out” moment. Donovan’s adolescent protagonist, Davy, resists what Kathryn Bond Stockton calls, in The Queer Child, “the vertical, forward-motion metaphor of growing up,” instead “growing sideways” through his relationship with his pet dachshund, Fred. This novel, Mason argues—so often lambasted for its hopelessness, stereotypes, and omissions—is a lot queerer than it may initially appear, and much more relevant to contemporary notions of sexuality and queerness than many critics have suggested.
能见度:在《我会到达那里》中成长。最好值得一趟旅行
这一章回顾了有史以来第一本包含同性恋内容的青少年读物,约翰·多诺万的《我会到达那里》。最好值得这趟旅行。,最初出版于1969年。梅森从这本小说多年来一直受到批评的元素中发现了价值:不可见性、模糊性、对成长的非目的性理解,尤其是主人公如何从未有过“出柜”的时刻。多诺万笔下的青春期主人公戴维,抗拒凯瑟琳·邦德·斯托克顿(Kathryn Bond Stockton)在《酷儿》(The Queer Child)中所说的“纵向、向前发展的成长隐喻”,而是通过与宠物腊肠犬弗雷德(Fred)的关系“横向成长”。梅森认为,这部小说——经常因为它的绝望、刻板印象和遗漏而受到抨击——比它最初看起来要离奇得多,比许多评论家认为的与当代性和酷儿概念更相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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