Persepsi dan Pemaknaan Anak Muda terhadap Tayangan Konten Pemuda Tersesat di Channel YouTube Majelis Lucu Indonesia

Jurnal Media, Dan Komunikasi, Persepsi Dan, Pemaknaan Anak, Muda, Tayangan Konten Pemuda, M. Gaffari
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Abstract

The presence of the Pemuda Tersesat show which is broadcast through the Majelis Lucu Indonesia channel seems to create a new breakthrough that presents a collaboration between comedians and preachers on YouTube media. With the concept of answering absurd, unique, and humorous questions posed by the audience, this content became popular and attracted the attention of the audience, and gave rise to a group of fans who are also known as Pemuda Tersesat. However, on the other side, there are also parties who do not agree with the presence of this content because it is considered to be discussing religion jokingly and not seriously. The purpose of this study is to be able to answer the formulation of the problem, namely to find out the perception of youth about the Pemuda Tersesat show on the Majelis Lucu Indonesia’s YouTube channel, the reception of youth as viewers, and what the Pemuda Tersesat figure that imagines by youth viewers. To answer the research objectives, the researcher used a qualitative approach with reception analysis methods, and conducted in-depth interviews with purposively selected informants. The results of this study indicate that audience perceptions are formed through 3 factors, namely: Audience trust, partiality (Hostile Media Perception), and influence (Third Person Perception). The results of the audience receiption in this study also show how they interpret the concept of Pemuda Tersesat show and the figures of Pemuda Tersesat that they imagine. Each informant is unique in giving his own meaning, actively and creatively, which is influenced by differences in the social conditions of the audience. Keywords: Pemuda Tersesat content, youth, perception, reception, active audience
在印尼有趣的YouTube频道上,年轻人对迷失的青年内容节目的看法和偏好
通过Majelis Lucu Indonesia频道播出的Pemuda Tersesat节目似乎创造了一个新的突破,在YouTube媒体上展示了喜剧演员和传教士之间的合作。以回答观众提出的荒诞、独特、幽默的问题为理念,这一内容变得流行起来,吸引了观众的注意,并产生了一群粉丝,他们也被称为Pemuda Tersesat。然而,另一方面,也有一些人不同意这些内容的存在,因为它被认为是在开玩笑而不是认真地讨论宗教。本研究的目的是为了能够回答这个问题的公式,即找出年轻人对Majelis Lucu Indonesia的YouTube频道上的Pemuda Tersesat节目的看法,青年作为观众的接受程度,以及青年观众想象的Pemuda Tersesat形象。为了回答研究目标,研究者采用了定性的方法和接受分析的方法,并对有目的地选择的被调查者进行了深入的访谈。本研究结果表明,受众感知是通过3个因素形成的,即:受众信任、偏见(敌意媒体感知)和影响(第三人称感知)。本研究的观众接收结果也显示了他们如何理解Pemuda Tersesat表演的概念和他们想象中的Pemuda Tersesat的形象。每一个信息提供者都是独特的,积极和创造性地给出自己的意思,这受到受众社会条件差异的影响。关键词:《舞之舞》内容,青年,感知,接受,活跃受众
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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