IDENTIFICATION OF BALINESE ORNAMENTS AT THE ENTRANCE OF THE AL-HIKMAH MOSQUE, DENPASAR

Putu Ari Darmastuti
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引用次数: 1

Abstract

Purpose : Religious buildings generally follow the form, function and decoration of the area oforigin of the religion. Islam in Bali began to spread during the reign of King Dalem Waturenggongwho was centered in Klungkung Regency in the fourteenth century. Since the first time Islamentered and developed in Bali, until now several mosque buildings have experienced adaptation andacculturation with Balinese culture. Adaptation and acculturation are more dominantly affected inreligious buildings because there is no separate style of how the appearance and embodiment of amosque building. In Denpasar City, there are not many mosque buildings that are affected byBalinese culture.Research methods : The research method used is interpretive qualitative. Etymologically,qualitative, comes from quality which means value.Findings : Along with the development and spread of Islam in the archipelago, the architecture ofthe mosque also experienced developments that adapted to each regional culture.Implications : Through architecture, regional culture and religion merge into a strong identity. Inthe architecture there are several elements, one of which is an aesthetic element in the form of anornamental. In this case, the identification of ornaments at Masjid Al-Hikmah entrance is classifiedbased on the four types of ornaments mentioned in the Nusantara Ornaments book, namely:geometric motifs, human motifs, animal motifs, motifs, plants, motifs of natural objects.
登巴萨al-hikmah清真寺入口处的巴厘装饰品鉴定
用途:宗教建筑一般沿袭宗教发源地的形式、功能和装饰。伊斯兰教在巴厘岛开始传播是在十四世纪以贡宫摄政为中心的达勒姆·瓦图伦贡国王统治时期。自从伊斯兰教第一次在巴厘岛进入和发展以来,直到现在,一些清真寺建筑经历了与巴厘岛文化的适应和文化适应。适应和文化适应对宗教建筑的影响更大,因为清真寺建筑的外观和体现没有单独的风格。在登巴萨市,受巴厘岛文化影响的清真寺建筑并不多。研究方法:采用解释性质的研究方法。词源学上,定性的,来自质量,意思是价值。随着伊斯兰教在群岛的发展和传播,清真寺的建筑也经历了适应每个地区文化的发展。启示:通过建筑,地域文化和宗教融合成一种强烈的身份认同。在建筑中有几个元素,其中之一是以装饰形式出现的美学元素。在这种情况下,希克玛清真寺入口处的装饰品的识别是根据努桑塔拉装饰品书中提到的四种装饰品进行分类的,即:几何图案、人类图案、动物图案、图案、植物图案、自然物图案。
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