Ekphrasis

Tomás Laurenzo
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Abstract

This article presents a mixed-media installation titled Ekphrasis, consisting of close--up videos of a heavily scarred body projected onto an elastic screen. The screen has one string attached to its centre, which in turn is attached to a stepper motor. The motor pulls the screen in a controlled random pattern, stretching it and letting go, sometimes carefully, sometimes violently. The piece explores the relationship between the digital representation of the body and its corporeity, recreating the trauma that generated the scars on the medium itself, and proposing a new layer of abstraction that sustains the reflection on the significance of the human body.
这篇文章展示了一个名为Ekphrasis的混合媒体装置,由一个严重伤痕累累的身体的近距离视频投射到弹性屏幕上。屏幕的中心有一根绳子,绳子又连着一个步进电机。马达以一种可控的随机模式拉动屏幕,时而小心翼翼,时而猛烈地拉伸屏幕,然后松开。该作品探讨了身体的数字表现与形体之间的关系,在媒介本身上再现了产生伤痕的创伤,并提出了一种新的抽象层次,以维持对人体意义的反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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