A Lyrical ‘I’ Beyond Fiction. Yahya Hassan and Autobiographical Poetry in Denmark After Karl Ove Knausgaard’s My Struggle.

S. Kjerkegaard
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引用次数: 1

Abstract

This article focuses on contemporary autobiographical Danish poetry following the publication of Norwegian author Karl Ove Knausgaard’s novel Min kamp [My Struggle], originally published between 2009 and 2011 [My Struggle (2012–2018)]. Focusing on the 2013 poetry collection Yahya Hassan by the Danish-Palestinian poet Yahya Hassan, this article argues that the lyrical autobiographical voice escapes its narrative construction in fiction, illustrating a lyrical ‘I’ in contemporary autobiographical poetry that is ‘beyond fiction’. Paradoxically, this is due in part to Knausgaard’s novel, where moving beyond fiction is about discovering an artistic and authentic way to re-establish a proximity to the world. Through the examination of Hassan’s poetry collection and the immediate literary context, this article explores the underlying moral, aesthetic, and mediatized aspects of lyrical self-presentation in contemporary Danish poetry, and more generally. Self-disclosure and the use of private material are therefore not strategies for doing away with the subject but, rather, ways of reclaiming it.
一个超越虚构的抒情的“我”。《我的奋斗》后叶海亚·哈桑与丹麦的自传体诗歌。
本文关注的是挪威作家Karl Ove Knausgaard的小说《我的奋斗》(Min kamp)出版后的当代丹麦自传体诗歌,《我的奋斗》(2012-2018)最初出版于2009年至2011年。本文以丹麦裔巴勒斯坦诗人叶海亚·哈桑(Yahya Hassan) 2013年的诗集《叶海亚·哈桑》(Yahya Hassan)为研究对象,认为抒情性的自传体声音脱离了小说的叙事结构,说明了当代自传体诗歌中抒情的“我”“超越了小说”。矛盾的是,这在一定程度上要归功于Knausgaard的小说,在小说中,超越小说是为了发现一种艺术和真实的方式来重新建立与世界的接近。通过对哈桑诗集和直接文学背景的考察,本文探讨了当代丹麦诗歌中抒情自我表现的潜在道德、美学和中介方面,以及更广泛的方面。因此,自我表露和使用私人材料并不是摆脱主题的策略,而是重新获得主题的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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