Learning Time Patterns

M. Jones
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Abstract

This chapter is important in that it lays a foundation for claims throughout this book that entrainment serves a platform for learning. In this chapter, this idea is developed in the context of learning categories of meter (e.g., duple meter vs. triple meter). The key difference is that entrainment depends on coupling parameters supplied by external driving rhythm force, whereas learning depends on a binding parameter which is strengthened simply by repeated synchronous activity of two or more oscillations. Against a backdrop of evidence indicating that musicians especially possess skill in recognizing metric categories, this chapter develops the coupling–binding distinction with the aim of showing that what people learn when exposed to metrical time patterns are global attractors instilled by learning a variety of different instances in a given metric category.
学习时间模式
这一章很重要,因为它为贯穿全书的娱乐为学习提供平台的主张奠定了基础。在本章中,这个想法是在学习拍子类别的背景下发展起来的(例如,二拍子与三拍子)。关键的区别在于,夹带依赖于外部驱动节奏力提供的耦合参数,而学习依赖于绑定参数,该参数仅通过两个或多个振荡的重复同步活动来加强。有证据表明,音乐家尤其具备识别节拍类别的技能,在此背景下,本章发展了耦合绑定区分,目的是表明人们在接触节拍时间模式时所学到的是通过学习给定节拍类别中的各种不同实例灌输的全局吸引子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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