Berlin—Zürich—Düsseldorf: Aspects of German Theatre During the Nazi Period and After

Abstract

This paper forms part of a chapter in Professor Wilhelm Hortmann's work entitled Shakespeare on the German Stage: The Twentieth Century, to be published by Cambridge University Press, May 1998, reproduced here with permission of the author and Cambridge University Press. It was first presented as a seminar paper at SCAENA, St. John's College, Cambridge, in August 1997.