Double bass in Czech music of the 21st century with a focus on solo and chamber music literature in a historical and international context

Tomáš Karpíšek
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Abstract

My dissertation project Double bass in Czech music of the 21st century with a focus on solo and chamber music literature in a historical and international context aims to convey a report about the state of the Czech contemporary music for double bass in the new millennium. The output value should be a summarization and cataloguing of new compositions, a comparison of the same and a description of them in both an international and historical context. An- other important aspect of this thesis is the case analysis of some pieces and a description of compositional techniques used. This work is meant to be mainly for musical high school (conservatories in the Czech Republic) and musical universities students and pedagogues, as well as double bass interpreters and others interested in this topic, who want to broaden their horizons and discover the state of the contemporary Czech literature for double bass and learn new and often superior compositions. First and foremost, an encyclopaedic style summariza- tion of contemporary double bass pieces should provide a useful tool for all readers interested in discovering new pieces for the deepest string instrument. Another important point of the thesis is a description and explanation of the most common interpretation techniques and a guide to their realisation in praxis.
二十一世纪捷克音乐中的低音提琴,侧重于历史和国际背景下的独奏和室内乐文学
我的论文项目是21世纪捷克音乐中的低音提琴,重点关注历史和国际背景下的独奏和室内乐文学,旨在传达一份关于新千年捷克当代低音提琴音乐状况的报告。输出值应该是新作品的摘要和编目,相同的比较以及在国际和历史背景下对它们的描述。本论文的另一个重要方面是对一些作品的案例分析和对所使用的构图技巧的描述。本作品主要面向音乐高中(捷克共和国的音乐学院)和音乐大学的学生和教师,以及低音提琴口译员和其他对这一主题感兴趣的人,他们希望拓宽视野,发现当代捷克低音提琴文学的现状,并学习新的,通常是优秀的作品。首先,一本百科全书式的对当代低音提琴作品的总结应该为所有有兴趣发现低音提琴新作品的读者提供一个有用的工具。本文的另一个重点是对最常见的口译技术进行描述和解释,并指导它们在实践中的实现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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