“Google Knows Everything”

Mary Robertson
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引用次数: 1

Abstract

This chapter shows how important alternative media is to the formation of queer cultural scenarios that speak to the sexual subjectivities of the youth of Spectrum. While acknowledging that there are now far more representations of queerness in mainstream media, I challenge the assumption that mainstream media has handily embraced homoeroticism and genderqueerness. The chapter shows how queer media, like erotic fan fiction and anime, have an established history of providing alternatives to the heteronormative mainstream, alternatives that, thanks to the internet, are more and more accessible to young people of all walks of life. In this way, queer media that resists heteronormativity has the power to influence the sexual subjectivity and gender identity formation of young people. Therefore it’s not that mainstream media are becoming less homophobic and shifting cultural norms in the United States but, rather, that young people have access to so much more media outside the mainstream—including self-produced media like fan fiction—which then influences their understanding of themselves and the world they live in.
“谷歌无所不知”
这一章展示了另类媒体对于酷儿文化场景的形成是多么重要,这些场景讲述了光谱青年的性主体性。虽然我承认现在主流媒体上有更多的酷儿形象,但我对主流媒体轻易接受同性恋和性别酷儿的假设提出了质疑。这一章展示了酷儿媒体,如情色同人小说和动漫,是如何在异性恋主流之外提供替代选择的,这些替代选择,由于互联网的存在,越来越多的各行各业的年轻人都能接触到。这样,抵制异性恋正统性的酷儿媒体就有力量影响年轻人的性主体性和性别认同的形成。因此,并不是主流媒体对同性恋的恐惧减少了,也不是美国的文化规范发生了变化,而是年轻人可以接触到更多的非主流媒体——包括同人小说等自创媒体——这影响了他们对自己和他们所生活的世界的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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