“Then I Could Have a Real Papa and Mama like Other Kids”

M. Abate
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Abstract

Chapter One spotlights a fundamental, but under-examined, aspect of Harold Gray's popular newspaper strip: Little Orphan Annie as an orphan girl story.When Gray's eleven-year-old moppet made her debut in 1924, many of the most popular novels, poems, and films in the United States featured orphan girls as their protagonists.Given this situation, the comic's original audience would have immediately recognized Annie as participating in this phenomenon.Accordingly, this chapter demonstrates that, far from an incidental detail about the original historical context for Little Orphan Annie, the formula for orphan girl stories serves as both a creative starting point for the comic and its critical end point.Placing Little Orphan Annie back in the context of the orphan girl story-and tracing the way in which this phenomenon operates in Gray's strip-yields new insights about the strip's connection with popular culture, the factors fueling its success, and its primary artistic kinships.
“那样我就可以像其他孩子一样有一个真正的爸爸和妈妈了”
第一章聚焦于哈罗德·格雷(Harold Gray)这部广受欢迎的报纸连环漫画的一个基本但未被充分审视的方面:《小孤儿安妮》是一个孤儿女孩的故事。当格雷11岁的娃娃在1924年首次亮相时,美国许多最受欢迎的小说、诗歌和电影都以孤儿女孩为主角。在这种情况下,漫画最初的观众会立即认出安妮参与了这种现象。因此,本章表明,《小孤女安妮》的原始历史背景远非偶然的细节,孤儿女孩故事的模式既是漫画的创作起点,也是它的批判终点。将《小孤女安妮》置于孤女故事的背景下,并追溯这种现象在格雷的连环漫画中发生的方式,可以让我们对连环漫画与流行文化的联系、推动其成功的因素以及其主要的艺术亲缘关系有新的认识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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