Ambony typu lubiąskiego i lubiąsko-głogowskiego w sztuce barokowej Śląska oraz Wielkopolski. Geneza, ewolucja i migracja form.

Abstract

The pulpit of the church of the Cistercian abbey in Lubiąż, designed by Matthias Steinl, was a landmark work for the development of modern pulpits in Silesia. Its popularity has resulted in several repetitions, where the scale of the similarities and differences in terms of the original division of replication allows us to enter the monument into two sets. The first relates to works paraphrasing the forms of the Lubiąż pulpit exclusively, made at the turn of the 17th and 18th centuries and covers the central and south-eastern part of Lower Silesia, as well as the south-west part of Upper Silesia. A significant role in its popularization was played by the patronage of the Silesian aristocracy (both secular and ecclesiastical), support of monasteries, as well as the artistic center in Wrocław. The second group includes monuments combining Lubiąż concepts with ideas contained in the pulpit of the collegiate church in Głogów. Built during the second quarter of the 18th century, the range covered mainly the Silesian-Greater Poland borderland. In this case, Głogów probably played the main role as a pattern propagating center.