The Daisy Oracle: A New Gretchenfrage in Goethe's Faust

Carrie Collenberg-González
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Abstract

Abstract:The daisy oracle in Goethe's Faust: Eine Tragödie (1808) is one of the most prominent instances of flower divination in literary history and is crucial to understanding the Gretchen tragedy. By examining its origin and evolution in German literature and its role within the drama, this article argues that the daisy oracle offers critical insight into Gretchen's agency, desire, and resistance to eighteenth-century gender conventions, and poses an alternative Gretchenfrage that demonstrates the character's relationship to love, desire, and the divine. Gretchen, who embodies the characteristics of purity and innocence represented by the daisy, is also the agent who destroys the daisy and thus manipulates her own fate, setting the plot in motion. The coda of this paper outlines some of the most significant iterations of twentieth-century daisy oracles that borrow their form from Goethe, demonstrating the enduring resonance of the daisy oracle and its connotations and positing the daisy oracle as an allegory for the self-destructing potential of humankind's striving to manifest its own ideals and nevertheless achieve redemption.
黛西神谕:歌德《浮士德》中的新格蕾琴弗雷奇
摘要:歌德的《浮士德:艾娜Tragödie》(1808)中的雏菊神谕是文学史上最突出的花卉占卜实例之一,对理解格雷琴悲剧具有重要意义。通过研究雏菊神谕在德国文学中的起源和演变及其在戏剧中的作用,本文认为雏菊神谕为格雷琴的代理、欲望和对十八世纪性别习俗的抵制提供了重要的见解,并提出了另一种格雷琴神谕,展示了角色与爱、欲望和神的关系。格雷琴体现了雏菊所代表的纯洁和纯真的特点,她也是摧毁雏菊从而操纵自己命运的代理人,从而推动了剧情的发展。本文的结语概述了借用歌德形式的20世纪雏菊神谕的一些最重要的迭代,展示了雏菊神谕及其内涵的持久共鸣,并将雏菊神谕作为人类努力表现自己的理想并实现救赎的自我毁灭潜力的寓言。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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