'Au meilleur de soi': Yves Bonnefoy and the Making of Baudelaire

M. Brophy
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Abstract

Yves Bonnefoy has singled out Baudelaire as a primary formative influence. The breadth and depth of critical enquiry afforded by Bonnefoy to his predecessor over the decades are attested by two substantial collections of his essays compiled in later years, as well as by verse resonating on occasion with the other’s name and voice. Bonnefoy’s goal is at once scholarly and creative: not only does he explore the full import of Baudelaire’s poetic legacy and lend it lasting pertinence within the history of literary endeavour, he also seeks to enter actively into its struggle, uncovering in its contradictions and aporias a corrective and recuperative dynamics that is played out anew in his own poetic writing as part of a larger and pressing ‘refondation de l’être’.
《最好的自己》:伊夫·博纳福伊和波德莱尔的创作
伊夫·邦尼弗伊(Yves Bonnefoy)将波德莱尔列为主要的影响因素。几十年来,邦尼福伊对他的前任进行了广泛而深入的批判性研究,这可以从他晚年汇编的两本大量散文集中得到证明,也可以从偶尔与对方的名字和声音产生共鸣的诗歌中得到证明。Bonnefoy的目标是学术性和创造性的:他不仅探索了波德莱尔诗歌遗产的全部意义,并在文学努力的历史中赋予它持久的相关性,他还寻求积极地进入它的斗争,在它的矛盾和混乱中发现一种纠正和恢复的动力,这种动力在他自己的诗歌写作中重新发挥出来,作为更大更紧迫的“重建”的一部分être。
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