Memories of Murder:

V. Nguyen
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引用次数: 0

Abstract

This paper argues that the Other Korean Warin Viet Nam hardly means foregrounding Asians solely as victims or noblenatives. Such re-centering means acknowledging the full subjectivity of Asians, includingtheir agency, their complicity, their cruelty, and their own strategic designs forpower and profit at the expense of the weaker ones in their own societies and theirenemies and neighbors. HowKorea deals with Viet Nam of the present, the Viet Nam of its past, and the shadowof its American patron has everything to do with Korea’s transformation from oneof the world’s backwater provinces, humiliated by Japan and subordinated by theUnited States, to a chic and sleek global minipower whose projection of itself takesplace notonly in the factory, the boardroom, the stock market, and the UnitedNations, but in movie theaters, on family televisions, in the hands of readers, and inarchitecture signifying might and prowess, meant to intimidate and impress bothcitizen and tourist.
谋杀记忆:
本文认为,越南的其他朝鲜战争并不意味着将亚洲人仅仅作为受害者或贵族。这种重新定位意味着承认亚洲人的全部主体性,包括他们的能动性、同谋性、残忍性,以及他们以牺牲自己社会中的弱势群体、敌人和邻国为代价来获取权力和利益的战略设计。韩国如何处理现在的越南,过去的越南,以及它的美国赞助人的影子,这一切都与韩国的转变有关,从一个世界上落后的省份之一,被日本羞辱,被美国附庸,到一个时髦而圆滑的全球小大国,它的自我投射不仅发生在工厂,董事会,股票市场和联合国,而且在电影院,在家庭电视上,在读者手中,还有象征着力量和实力的建筑,意在恐吓和打动市民和游客。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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